POEMS
"Sauna" & "Hot Horse," FIELD, forthcoming spring 2019
"Sea Glass," jubilat, January 2017
"The Raisin & The Bullet," From the Finger Lakes: A Poetry Anthology, November 2016
"Song for Distance," Stone Canoe, February 2016
"The Last Travel Agent," Best New Poets 2015, fall 2015
"Lullaby," Emotive Fruition + Radiolab print edition, summer 2015
"24 Weeks," "33/34 Weeks," "39 Weeks," The American Literary Review, fall 2015
"Legs," Fairy Tale Review, spring 2015, The Mauve Issue
"Addling," Gulf Coast,  fall 2014
"Customer Service," Day One, fall 2014
"Recurrent Ghazal," Finery, August 2014
"Canary Be Attendant" & "15 Weeks," The Carolina Quarterly, summer 2014
"Who's the Gloss" & "The Untelling," jubilat, fall 2013
"Insomnia," The Southern Poetry Anthology, Volume V: Georgia, spring 2013
"Inside the Grotesquery,  A Fantasmic Neglect," jdbrecords, April 2013
"Riverside Casino," "Heaven For Girls," "My Neighbors Make Morning Pornos," "High Proof," Cream City Review  fall/winter 2010 
 
CHAPBOOKS
My Seaborgium, Brain Mill Press, 2015 Mineral Point Series winner (selected by Kiki Petrosino) 
Greener, Finishing Line Press, 2009
 
ESSAYS 
"Walker," Entropy, July 2018
"Parenting as an Introvert," Parent.Co, October 2017
"Hair, Ear," Creative Nonfiction,  January 2017
"Parsley, Cork," Tuesday; An Art Project, November 2016
"I Need to Stop Saying 'I'm Sorry,'" Parent.Co., August 2016
"Explorers," Brain, Child Magazine, December 2015
"Dead Men, Waking," Wave Composition, fall 2015
"What We Want Now," The Rumpus, July 2015
"On Tammy and Hollywood's Focus on Body Image, Food, and Humor,"Thought Catalog, August 2014
"Les Misogyny," jdbrecords, January 2013
"Flight of the Navigator," jdbrecords, September 2012
"A Beet Issue," Words Without Borders," 2008
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AWARDS
Kimmel Harding Nelson Center Residency, Feb-Mar 2014
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INTERVIEWS & PRESS
"Dread and Grief, Energy and Song: Cathryn Cofell and Nicole Cooley Discuss Alicia Rebecca Myers' My Seaborgium," Brain Mill Press, April 2016
"Pins & Needles No. 45: Alicia Rebecca Myers," Fairy Tale Review, February 2016
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